23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

sound sample of the 1812 Overture

Big Lou Jammin' and Mixing to R8SlowShuffle (see other contributions)

Pale Dreams - Example song included with an early release of Impulse Tracker. Composed by Chris Jarvis, converted to OGG format by Éric Tremblay (delt01).

The traditional folk song Frankie and Johnny, performed by Gene Autry

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

The traditional ballad Lonesome Valley, performed by country musician David Miller, "The Blind Soldier" Die traditionelle Ballade Lonesome Valley, interpretiert von David Miller, "The Blind Soldier"

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

Bury Me Out on the Prairie by Bradley Kincaid. I'm not quite sure if this is the Gennett cut from 1928 or if it's a later Brunswick recording. Bury Me Out on the Prairie von Bradley Kincaid. Es ist nicht sicher, ob dies die Gennett-Aufnahme von 1928 oder eine spätere Brunswick-Einspielung ist.

Ascending and descending scale played in E flat major

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

The traditional country song Goodbye Old Pal, performed by Cliff Carlisle

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

wind sextet in e flat, op. 71 - i. adagio - allegro

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Georg Philipp Telemann: Ich will den Herrn loben allezeit, Kanon zu 3 Stimmen, TWV 10:8

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

First bars of score from barcarolle (year: 1845) of Chopin. I made its simulation using guitar pro.

Chopin - Fantazja f-moll op. 49Chopin - Fantaisie in F minor, Op. 49

Wind sextet in e-flat, op. 71 - ii. adagio

Danza espanola, op. 37, h. 142 - xii. arabesca

Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

BerceuseVeronica van der Knaap, Public Concert, Christchurch, New Zealand

The traditional country song Soldier's Joy, performed by the the North Carolina Hawaiians

Sonata No. 1 - Movement 2 by Aaron Dunn

MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

6-8 clave in 4-4.

Bach's "Crucifixus", B Minor Mass ground bass.

Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!

Fürwahr, er trug unsre Krankheit (Gotteslob (2013) 292)

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.

한국어: 박영호(작사) 김송규(작곡) 박향림(가수) 콜롬비아(제작) 1938년 콜롬비아 레코드 소속 박향림이 부른 트로트(Trot) 만요(Comic Song)이다. "Oppaneun punggakjaengi" ("My Brother is a Street Musician"), a comic teuroteu (trot) about a brother constantly interfering with his sister's personal business. Sung by Park Hyang-rim (박향림, 1921-1946) Composed by Kim Song-gyu (김송규, 1911-1950) Lyrics by Park Yeong-ho (박영호, 1911-1953) “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mi hermano es un musico callejero»), un popular trot cómico coreano de 1938 compuesto por Kim Song Kyu (música) y Park Yeong Ho (texto), y cantado por Park Hyang Rim Italiano: “Oppaneun punggakjaengi” (오빠는 풍각쟁이, «Mio fratello è un musicista di strada»), un popolare trot comico coreano del 1938 composto da Kim Song Kyu (musiche) e Park Yeong Ho (testi), e cantato da Park Hyang Rim Македонски: „Опанен пунгакченги“ (오빠는 풍각쟁이), популарен корејски трот од 1938 г. од Ким Сонг Кју и Парк Јенг Хо во изведба на Парк Хјанг Рим. Oppaneun punggakjaengi (오빠는 풍각쟁이), popularny koreański utwór typu trot. Kompozycja Kim Song Kyu i Park Yeong Ho, w wykonaniu Park Hyang Rim.

Let the Music Send Me performed by Systems Go of the United States Air Force Band of Flight. Track 6 from Holding the Flag (2007).[1]

Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.

Shuffle pattern with staggered thirds played on piano.

Diminished seventh chord on B.

通りゃんせ Tōryanse

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Tritone scale on C.